more I argue that although dialogism encourages heightened reflexivity about the I argue that although dialogism encourages heightened reflexivity about the They clarify, in turn, the process by which cultural memory is constructed and transformed to serve nuclear-ideological interests. These frames guided the groups' interpretive practices, and heuristically condense the heteroglossia of post-cold war debate about nuclear history. Analysis reveals that the identities and activities of these two groups can be distinguished by three sets of opposing constructs: nuclearism/pacifism monologue/dialogue, and fact/narrative. The conflict centered around the activists' construction of an alternative exhibit that was placed in the Museum, and that challenged its dominant narrative of nuclear history. This conflict was conducted between pro-nuclear Laboratory officials and employees of its Bradbury Science Museum, and local anti-nuclear activists. This paper examines symbolic conflict over the history and future of one such organization, the Los Alamos National Laboratory. Following the end of the cold war, various groups have conducted this struggle through public discourse about U.S. more Nuclear criticism theorizes culture as the site of struggle between ideological narratives seeking authority over the meaning of nuclear symbols. Nuclear criticism theorizes culture as the site of struggle between ideological narratives seekin. Throughout, the authors foreground and critique the role of communication in responding to the past and creating the future of nuclear weapons production.
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They conclude by identifying and addressing various challenges associated with adopting this research program.
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The authors next develop three theoretical frames for analyzing communication in this dense and rapidly evolving scene: (a) democracy, participation, and the nuclear public sphere (b) organizational crisis, change, and stakeholder communication and (c) nuclear history, memory, and heritage. They then examine the material and discursive legacies of this system, emphasizing recent changes that have opened new possibilities for communication between institutions and their stakeholders. nuclear weapons production complex and by characterizing communication among its associated organizations and communities. The authors begin by arguing that these phenomena are normalized, and thus neglected, among citizens and communication scholars, and respond by reviewing the history of the U.S. more This chapter engages communication surrounding the history and future of U.S. This chapter engages communication surrounding the history and future of U.S. I conclude by summarizing the implications of this case for ongoing study of digital media, conflict, and politics. I then challenge this narrative by exploring satire as an alternate configuration of deepfake’s capabilities. I argue that deepfake sustains the liberal state’s conventional dread of mimetic threats posed to its ontological security. government, I critique deepfake’s securitization by applying two theories of media and state (in-) security. In examining related controversy, I use the theoretical lens of securitization to establish how communicative reflexivity shapes the attribution of threat to digital media. One focus of this anxiety has been the emerging technology known as deepfake.
![the enola gay exhibit controversy the enola gay exhibit controversy](https://s2.studylib.net/store/data/009959101_1-4abd10de150898b6150308d48c289a66-768x994.png)
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more ABSTRACT Recent revelation of disinformation campaigns conducted by external adversaries on social media platforms has triggered anxiety among western liberal democracies. ABSTRACT Recent revelation of disinformation campaigns conducted by external adversaries on socia.